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Crosley has taken up the gauntlets thrown by her predecessors--Dorothy Parker, Nora Ephron, David Sedaris--and crafted something rare, affecting, and true. \u003cp\u003e\u003c\/p\u003e\u003ci\u003eLook Alive Out There\u003c\/i\u003e arrives on the tenth anniversary of \u003ci\u003eI Was Told There'd be Cake\u003c\/i\u003e, and Crosley's essays have managed to grow simultaneously more sophisticated and even funnier. 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Guevara's 1965 essay, \"Socialism and Man in Cuba,\" is a milestone in twentieth-century emancipatory social thought. Finally, \"Message to the Tricontinental\" is one of Che's more well-known works, which outlines the tactics and strategies that should be followed in revolutionary struggle. \u003cp\u003e\u003c\/p\u003eThis collection of writings merges Che's philosophy, politics, and economics in his all encompassing, coherent revolutionary vision. 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Spanning seventeen years, this anthology draws on from his family's personal archives and offers the best of Che's writing: examples of his journalism, essays, speeches, letters, and even poems. As Che documents his early travels through Latin America, his involvement in the Guatemalan and Cuban revolutions, and his rise to international prominence under Fidel Castro, we see how his fervent commitment to social justice shaped and was shaped by the continent he called home.","brand":"Books At Midnight","offers":[{"title":"Default Title","offer_id":48544697385165,"sku":"9781644211649","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0557\/1529\/9533\/files\/9781644211649.jpg?v=1774033355"},{"product_id":"the-light-eaters-how-the-unseen-world-of-plant-intelligence-offers-a-new-understanding-of-life-on-earth","title":"The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth","description":"\u003cp\u003e\u003cb\u003e\u003ci\u003eNEW YORK TIMES\u003c\/i\u003e BESTSELLER \u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\u003ci\u003eThe New Yorker\u003c\/i\u003e's Best Books of 2024 \u003ci\u003e-\u003c\/i\u003e TIME's 10 Best Nonfiction Books of 2024 \u003ci\u003e-\u003c\/i\u003e \u003ci\u003eNew York\u003c\/i\u003e Magazine's 10 Best Books of the Year\u003c\/b\u003e \u003cb\u003e\u003ci\u003e- Washington Post's \u003c\/i\u003e50 Notable Works of Nonfiction of 2024 \u003ci\u003e-\u003c\/i\u003e \u003ci\u003eSmithsonian\u003c\/i\u003e's 10 Best Science Books of the Year \u003ci\u003e-\u003c\/i\u003e A Best Book of the Year: \u003ci\u003eBoston Globe, Scientific American\u003c\/i\u003e, \u003ci\u003e \u003c\/i\u003eNew York Public Library, \u003ci\u003eChristian Science Monitor\u003c\/i\u003e, \u003ci\u003e Library Journal\u003c\/i\u003e, and \u003ci\u003ePublishers Weekly -\u003c\/i\u003e An Amazon Best Nonfiction Book of the Year\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLonglisted for the National Book Critics Circle Nonfiction Prize \u003ci\u003e- \u003c\/i\u003e\u003c\/b\u003e\u003cb\u003eFinalist for the Chautauqua Prize \u003c\/b\u003e\u003cb\u003e- Finalist for the\u003ci\u003e Los Angeles Times \u003c\/i\u003eBook Prize\u003ci\u003e - \u003c\/i\u003eWinner of the National Outdoor Book Award for Natural History\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"A masterpiece of science writing.\" --Robin Wall Kimmerer, author of \u003ci\u003eBraiding Sweetgrass\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"Mesmerizing, world-expanding, and achingly beautiful.\" --Ed Yong, author of \u003ci\u003eAn Immense World\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003e\"Rich, vital, and full of surprises. 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What is intelligent life if not a vine that grows leaves to blend into the shrub on which it climbs, a flower that shapes its bloom to fit exactly the beak of its pollinator, a pea seedling that can hear water flowing and make its way toward it? Zoë Schlanger takes us across the globe, digging into her own memories and into the soil with the scientists who have spent their waking days studying these amazing entities up close.\u003c\/p\u003e\u003cp\u003eWhat can we learn about life on Earth from the living things that thrive, adapt, consume, and accommodate simultaneously? More important, what do we owe these life forms once we come to understand their rich and varied abilities? 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A pesar de que durante décadas se nos ha advertido de las consecuencias del cambio climático, no hemos construido nada parecido a las infraestructuras de energía limpia que necesitamos. Los ambiciosos proyectos públicos sobrepasan el presupuesto y se terminan tarde, si es que llegan a terminarse. La crisis que se vislumbra ahora lleva décadas gestándose porque no hemos construido lo suficiente.\u003c\/p\u003e\u003cp\u003e\u003cem\u003eAbundancia\u003c\/em\u003e explica que nuestros problemas actuales no son el resultado de los villanos de antaño. Más bien, las soluciones de una generación se han convertido en los problemas de la siguiente. Las normas y reglamentos diseñados para resolver los problemas de los años setenta a menudo impiden los proyectos de densidad urbana y energía verde que ayudarían a resolver los problemas del 2020. 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First published in 1968, the collection was critically praised as one of the \"best prose written in this country.\"\u003c\/i\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eMore than perhaps any other book, this collection by one of the most distinctive prose stylists of our era captures the unique time and place of Joan Didion's focus, exploring subjects such as John Wayne and Howard Hughes, growing up in California and the nature of good and evil in a Death Valley motel room, and, especially, the essence of San Francisco's Haight-Ashbury, the heart of the counterculture. 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This collection, which was Didion's nonfiction debut, is a bold announcement of one of the most distinctive prose stylists of our era and includes pieces exploring such subjects as John Wayne and Howard Hughes; growing up in California; the nature of good and evil in a Death Valley motel room; and San Francisco's Haight-Ashbury, the heart of the counterculture. 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Here are two extended excerpts from notebooks she kept in the 1970s; read together, they form a piercing view of the American political and cultural landscape. \u003cp\u003e\u003c\/p\u003e\"Notes on the South\" traces a road trip that she and her husband, John Gregory Dunne, took through Louisiana, Mississippi, and Alabama. Her acute observations about the small towns they pass through, her interviews with local figures, and their preoccupation with race, class, and heritage suggest a South largely unchanged today. \u003cp\u003e\u003c\/p\u003e\"California Notes\" began as an assignment from \u003ci\u003eRolling Stone\u003c\/i\u003e on the Patty Hearst trial. Though Didion never wrote the piece, the time she spent watching the trial in San Francisco triggered thoughts about the West and her own upbringing in Sacramento. 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